I only made the trip out to Kisama twice given that I was in Zunheboto till the third day of the festival, and had spent most of the fourth day travelling. Anyway, I managed to catch a number of performances on the main stage, see replicas of the morungs (the traditional boys dormitories) of all the major tribes in Nagaland, check out the WWII museum, and even bought Mum that asükhu (wood plate on a stand) that she asked for (the guy at India Post assured me they could deliver it, but I'm having my doubts).
I don't have a lot of commentary on the festival itself. Given the diversity of the performers and performances, I'm finding it a little hard to remember what I saw and the significance of each performance. I don't really mind that many of the performances wouldn't be considered 'authentic' by even a lay anthropologist, since the festival gives the numerous cultural associations around the state a chance to showcase some of the traditional songs, dances and games that they're trying to maintain. (I'm saving other criticisms I have for another post.)
One of the entrances to the festival grounds
Participants waiting to perform
Pochury women, having just played a traditional game of catch
A nice touch on the last day of the festival
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